The other day I was telling my business partner, Jason, about something that happened when I was 18.
It was 1969, and The Rolling Stones had just announced a free concert in Northern California. When they revealed the location, Altamont Speedway, I grabbed my stuff, stuck out my thumb, and hitchhiked my way there.
I got there a few hours early and managed to snag a spot near the front of the stage, right where everything later went off the rails.
As the day wore on, things started getting ugly. The Hells Angels, who’d been brought in as “security,” were beating people up, swinging pool cues, and chaos started to ripple through the crowd. One guy (Meredith Hunter) was even stabbed to death just a few yards from where I was sitting.
It was shocking, the moment the peace-and-love dream of the ’60s cracked wide open.
I told Jason the story and a few minutes later he says... “Dude… I think I found a clip of you at Altamont.”

Sure enough, there I was. Eighteen years old, sitting in the m...
As guitarists, we often get stuck in the scale mindset, running up and down patterns without truly connecting to the music. Today, I want to share an approach that has transformed my playing and can help you create more musical phrases: thinking in chord tones.
Nashville's Secret Weapon I've been particularly inspired by Nashville guitarist Jedd Hughes, who masterfully weaves double stops into both his solos and accompaniment work with artists like Vince Gill. His playing exemplifies how chord-based thinking can elevate your musicality.
Let's break this down using the key of A as our playground. Instead of immediately reaching for the A major scale, try exploring the different A chord shapes up and down the neck. These shapes become your launching pads for melodic ideas.
Double Stops: Your New Best Friend When playing single notes, you might throw in that sharp five for color. But the magic really happens when you start working with double stops – playing two notes simultaneously...
About a decade ago, I landed a record deal and a songwriting contract – a dream come true for that sensitive teenager who just wanted to make songs. Little did I know, I was about to embark on a rollercoaster ride through the music industry that would challenge my identity as an artist and reshape my understanding of what it means to be a musician.
When we released my first single to radio, the label put me through media training. They taught me to keep conversations focused on my record and to tie my songs into whatever the radio stations were promoting. For instance, my single "Freedom Like This" would be brought up around the Fourth of July, even though it wasn't remotely patriotic. It was all about keeping things exciting and on-brand.
At first, I struggled with this. Was I selling out? Was I betraying that teenage dreamer who just wanted to express himself through music? I was trying to find the meaning of life in a song, but the industry wanted me to be "hot" and marke
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IMAGINE. (Ultimate Mix, 2020) - John Lennon & The Plastic Ono Band (with the Flux Fiddlers) HD
John Lennon - Imagine LIVE 1975

Ooh, I need your love, babe Guess you know it's true
Hope you need my love, babe Just like I need you
Hold me, love me Hold me, love me
I ain't got nothin' but love, babe Eight days a week
Love you every day, girl Always on my mind
One thing I can say, girl Love you all the time
Hold me, love me Hold me, love me
I ain't got nothin' but love, girl
Eight days a week Eight days a week I love you
Eight days a week Is not enough to show I care
Ooh, I need your love, babe Guess you know it's true
Hope you need my love, babe Just like I need you, oh
Hold me, love me Hold me, love me
I ain't got nothin' but love, babe Eight days a week
Eight days a week I love you
Eight days a week Is not enough to show I care
Love you every day, girl Always on my mind
One thing I can say, girl Love you all the time
Hold me, love me Hold me,
love me I ain't got nothin' but love, babe
Eight days a week Eight days a week Eight days a week
8 Day...




Aloha friends,
I wanted to share a new song just released by myself and my good buddy Dayan Kai called "That's The Train I'm On".
An original song of uplift and inspiration wrote at the end of 2020.
Written and performed by Jimmy Dillon & Dayan Kai.
Jimmy Dillon: lead vocals, acoustic & electric guitars.
Dayan Kai: harmony vocals, bass, drums, percussion, keyboards, horns, harmonica and slide guitar.
Recorded and mixed by Dayan Kai Final mix and master by Karl Derfler Learn more about the artists:
Jimmy Dillon website: https://jimmydillon.com
YouTube: https://www.youtube.com/user/JimmyDil...
Dayan Kai website: https://dayankai.com
YouTube: https://www.youtube.com/DayanKai
50% Complete
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